Artworks

  • Cristina Planas, One single living creature, 2018
    Cristina Planas
    One single living creature, 2018
    Digital c-type print
    520 x 345 mm
    Edition of 3
  • Eve Ackroyd, Pink Pose, 2018
    Eve Ackroyd
    Pink Pose, 2018
    Oil on canvas
    355 x 305 mm
  • Max Wade, Plate Rack, 2018
    Max Wade
    Plate Rack, 2018
    Oil on canvas
    1520 x 1520 mm
  • Scarlett Carlos Clarke, Roxy, 2018
    Scarlett Carlos Clarke
    Roxy, 2018
    C-type
    50 x 70 cm
    Edition of 5
  • Katja Angeli, Search Engine (10), 2018
    Katja Angeli
    Search Engine (10), 2018
    Japanese paper collage
    50 x 40 cm
    19 3/4 x 15 3/4 in
  • Katja Angeli, Search Engine (7), 2018
    Katja Angeli
    Search Engine (7), 2018
    Japanese paper collage
    50 x 40 cm
    19 3/4 x 15 3/4 in
    Handcut chine colle collage on paper
  • Katja Angeli, Search Engine (8), 2018
    Katja Angeli
    Search Engine (8), 2018
    Japanese paper collage
    500 x 400 mm
  • Katja Angeli, Search Engine (9), 2018
    Katja Angeli
    Search Engine (9), 2018
    Japanese paper collage
    50 x 40 cm
    19 3/4 x 15 3/4 in
    Handcut chine colle collage on paper
  • Will Spratley, Shoo-Wop Shoo-Wop, 2018
    Will Spratley
    Shoo-Wop Shoo-Wop, 2018
    MDF and gloss paint
    1100 x 670 x 280 mm
  • Beth Kettel, Phoebe Davies, Olivia Norris, Shot Clock, 2018
    Beth Kettel, Phoebe Davies, Olivia Norris
    Shot Clock, 2018
    Performance and installation
    Artists Phoebe, Beth and Olivia met playing for the women's basketball team Hackney Gazelles. Curator and Coach Joseph Bond has invited them to work together to explore ideas of positive touching in sport, competitiveness and collaborative movement.

    For Muscular Notions they present a performance which is the result of three afternoon rehearsals situated in a basketball key. The performance uses the 24 second shot clock in basketball which is designed to increase the game's pace and scoring. From struggle to tenderness three bodies share a conversation through touch. After the performance the shot clock and key will remain in the space.
  • Willa Hilditch, Slink, 2018
    Willa Hilditch
    Slink, 2018
    Graphite, paper, glass, tape, wood and bracket
    460 x 660 mm
  • Tristan Pigott, Slipped Wink, 2018
    Tristan Pigott
    Slipped Wink, 2018
    Oil on board
    1040 x 530 x 15 mm
  • Eve Ackroyd, Small Green Figure, 2018
    Eve Ackroyd
    Small Green Figure, 2018
    Oil on canvas
    305 x 255 mm
  • Thomas Langley, Something Proper, 2018
    Thomas Langley
    Something Proper, 2018
    Oil on birch in aluminium frame
    1650 x 1415 mm
  • Ella Walker, Speaker of the Temple, 2018
    Ella Walker
    Speaker of the Temple, 2018
    Acrylic on paper
    300 x 210 mm
    Artist inscription on the reverse
  • Caroline Larsen, Springtime Madness, 2018
    Caroline Larsen
    Springtime Madness, 2018
    Oil on board
    510 x 510 mm
  • Roxanne Jackson, Stigmata Candle Holders, 2018
    Roxanne Jackson
    Stigmata Candle Holders, 2018
    Ceramic, faux fur, glaze, luster, candle
    290 x 240 x 180 mm (each)
  • Thomas Langley, STUFF IS TUFF, 2018
    Thomas Langley
    STUFF IS TUFF, 2018
    Spray paint, oil and oil bar on birch ply
    1050 x 500 mm
  • Eve Ackroyd, Sunbather, 2018
    Eve Ackroyd
    Sunbather, 2018
    Oil on canvas
    505 x 685 mm
  • Walter & Zoniel, Sweet Sleep, 2018
    Walter & Zoniel
    Sweet Sleep, 2018
    Hand coloured silver emulsion print
    900 x 1250 mm
    Edition of 1 plus 1 artist's proof
  • Max Wade, The Dinner Party , 2018
    Max Wade
    The Dinner Party , 2018
    Oil on canvas
    1500 x 1800 mm
  • Cristina Planas, The Fissure, 2018
    Cristina Planas
    The Fissure, 2018
    35mm slides, Simda 3200 carousel slide projector, continuous loop
  • Dominic Beattie, Untitled, 2018
    Dominic Beattie
    Untitled, 2018
    Ink, spray paint and emulsion on plywood
    1800 x 900 mm
  • Dominic Beattie, Untitled, 2018
    Dominic Beattie
    Untitled, 2018
    Ink and spray paint on plywood
    1100 x 600 mm
  • Max Wade, Untitled , 2018
    Max Wade
    Untitled , 2018
    Oil on linen
    1100 x 1500 mm
  • Max Wade, Untitled , 2018
    Max Wade
    Untitled , 2018
    Oil on canvas
    1500 x 1800 mm
  • Max Wade, Untitled , 2018
    Max Wade
    Untitled , 2018
    Oil on canvas
    1520 x 1520 mm
  • Max Wade, Untitled, 2018
    Max Wade
    Untitled, 2018
    Oil on canvas
    1300 x 1800 mm
  • Max Wade, Untitled , 2018
    Max Wade
    Untitled , 2018
    Oil on canvas
    1300 x 900 mm
  • Max Wade, Untitled, 2018
    Max Wade
    Untitled, 2018
    Oil on canvas
    1300 x 1800 mm
  • Max Wade, Untitled, 2018
    Max Wade
    Untitled, 2018
    Oil on canvas
    1800 x 1500 mm
  • Hirosuke Yabe, Untitled (y_02), 2018
    Hirosuke Yabe
    Untitled (y_02), 2018
    Wood
    178 x 58 x 65 mm
  • Eve Ackroyd, Untitled Model, 2018
    Eve Ackroyd
    Untitled Model, 2018
    Oil on canvas
    355 x 305 mm
  • Willa Hilditch, Upstage, 2018
    Willa Hilditch
    Upstage, 2018
    Graphite, paper, glass and tape
    285 x 420 mm
  • George Rouy, Vanity, 2018
    George Rouy
    Vanity, 2018
    Acrylic on canvas
    460 x 560 mm
  • Eve Ackroyd, Window Seat, 2018
    Eve Ackroyd
    Window Seat, 2018
    Oil on canvas
    355 x 305 mm
  • Juliette Mahieux-Bartoli, XP -> (SPEC) X̅ YP* (X-bar theory), 2018
    Juliette Mahieux-Bartoli
    XP -> (SPEC) X̅ YP* (X-bar theory), 2018
    Oil on canvas
    450 x 1280 mm (triptych)
  • Irvin Pascal, Young Chief, 2018
    Irvin Pascal
    Young Chief, 2018
    'Pascollar' (mixed media and artist's hair)
    1080 x 570 x 65 mm
  • Rosa Johan Uddoh, Thigh Tiles, 2017-2018 (ongoing)
    Rosa Johan Uddoh
    Thigh Tiles, 2017-2018 (ongoing)
    Ceramic
    Varying sizes (approx. 350 x 200 mm)
  • Realf Heygate, 36, 37, 2017
    Realf Heygate
    36, 37, 2017
    Oil on canvas
    1500 x 2100 mm
    Signed and dated verso
  • Hilda Kortei, A violent hiatus in the likeness of the three, 2017
    Hilda Kortei
    A violent hiatus in the likeness of the three, 2017
    Acrylic on fabric
    25 x 21 in
    63.5 x 53.3 cm
    Framed: 58.5 x 48 cm
  • Katja Angeli, Affair 3 (Shuffling), 2017
    Katja Angeli
    Affair 3 (Shuffling), 2017
    480 x 320 mm
    Handcut chine colle collage on paper
  • Katja Angeli, Affair 4 (Clasping), 2017
    Katja Angeli
    Affair 4 (Clasping), 2017
    Handcut chine colle collage on paper
    48 x 32 cm
    18 7/8 x 12 5/8 in
  • Katja Angeli, Affair 5 (Brief encounter), 2017
    Katja Angeli
    Affair 5 (Brief encounter), 2017
    Handcut chine colle collage on paper
    480 x 320 mm
  • Katja Angeli, Affair 6 (Mingling), 2017
    Katja Angeli
    Affair 6 (Mingling), 2017
    Handcut chine colle collage on paper
    48 x 32 cm
    18 7/8 x 12 5/8 in
  • Katja Angeli, Affair 7 (Catching), 2017
    Katja Angeli
    Affair 7 (Catching), 2017
    Handcut chine colle collage on paper
    48 x 32 cm
    18 7/8 x 12 5/8 in
  • Katja Angeli, Affair 8 (Flitting blush),, 2017
    Katja Angeli
    Affair 8 (Flitting blush),, 2017
    Handcut chine colle collage on paper
    48 x 32 cm
    18 7/8 x 12 5/8 in
  • Tristan Pigott, Artist As Medium, 2017
    Tristan Pigott
    Artist As Medium, 2017
    Oil on linen, oil painted beer can, crisp packet, papier-mâché
    1400 x 950 mm
    Signed and dated verso
  • Nicole Wittenberg, Ben Reclining, 2017
    Nicole Wittenberg
    Ben Reclining, 2017
    Monotype on paper
    44.5 x 60.3 cm
    17 1/2 x 23 3/4 in
  • Hamish Pearch, Blocker I, 2017
    Hamish Pearch
    Blocker I, 2017
    Sesame seeds, resin, aluminum
    300 x 420 mm
  • Hamish Pearch, Blocker II, 2017
    Hamish Pearch
    Blocker II, 2017
    Sesame seeds, resin, aluminum
    420 x 300 mm
  • Jessica Craig-Martin, Carbon Copy, 2017
    Jessica Craig-Martin
    Carbon Copy, 2017
    C-type print
    710 x 900 mm
    Edition 1/5
  • Sif Norskov, Chapter 2, 2017
    Sif Norskov
    Chapter 2, 2017
    Oil, acrylic and crayon on canvas
    1000 x 850 mm
  • Sif Norskov, Chapter 3, 2017
    Sif Norskov
    Chapter 3, 2017
    Oil, acrylic and crayon on canvas
    1000 x 850 mm
  • Antony Cairns, E.I. TYO2_078, 2017
    Antony Cairns
    E.I. TYO2_078, 2017
    E-ink screen and perspex frame
    101 x 129 mm
    200 x 200 x 32 mm framed
  • Antony Cairns, E.I. TYO2_088, 2017
    Antony Cairns
    E.I. TYO2_088, 2017
    E-ink screen and perspex frame
    101 x 129 mm
    200 x 200 x 32 mm framed
  • Antony Cairns, E.I. TYO2_092, 2017
    Antony Cairns
    E.I. TYO2_092, 2017
    E-ink screen and perspex frame
    101 x 129 mm
    200 x 200 x 32 mm framed
  • Antony Cairns, E.I. TYO2_114, 2017
    Antony Cairns
    E.I. TYO2_114, 2017
    E-ink screen and perspex frame
    101 x 129 mm
    200 x 200 x 32 mm framed
  • Hamish Pearch, Everyday, 2017
    Hamish Pearch
    Everyday, 2017
    Oats
    300 x 200 x 120 mm
  • Tristan Pigott, Fake Plastic Flowers, 2017
    Tristan Pigott
    Fake Plastic Flowers, 2017
    Oil on linen
    1050 x 800 mm
    Signed and dated verso
  • Realf Heygate, Figurine/Letra, 2017
    Realf Heygate
    Figurine/Letra, 2017
    Oil, acrylic and Letraset on canvas
    600 x 750 mm
    Signed and dated verso
  • Laurence Owen, Fingers Lickin Chicken Wing, 2017
    Laurence Owen
    Fingers Lickin Chicken Wing, 2017
    Oil on canvas
    1500 x 1200 mm
  • Laurence Owen, Flora, 2017
    Laurence Owen
    Flora, 2017
    Oil on board
    900 x 635 mm
  • Laurence Owen, Forna, 2017
    Laurence Owen
    Forna, 2017
    Oil on board
    900 x 635 mm
  • Robert Montgomery, Hammersmith Poem, Black Metal Version, 2017
    Robert Montgomery
    Hammersmith Poem, Black Metal Version, 2017
    Black painted laser cut aluminium with 12V LED lighting
    1800 x 1200 mm
    Edition of 3
  • Robert Montgomery, Hammersmith Poem/Malevich Painting (And We Will Steal Away In The Blue Dawn), 2017
    Robert Montgomery
    Hammersmith Poem/Malevich Painting (And We Will Steal Away In The Blue Dawn), 2017
    Acrylic and oil on canvas
    1525 x 1215 mm
  • Robert Montgomery, Hammersmith Poem/Malevich Painting (Modernism Isn't a Style), 2017
    Robert Montgomery
    Hammersmith Poem/Malevich Painting (Modernism Isn't a Style), 2017
    Acrylic and oil on canvas
    1525 x 1215 mm
  • Robert Montgomery, Hammersmith Poem/Malevich Painting (Modernism Isn't A Style), 2017
    Robert Montgomery
    Hammersmith Poem/Malevich Painting (Modernism Isn't A Style), 2017
    Acrylic and oil on canvas
    1015 x 1015 mm
  • Robert Montgomery, Hammersmith Poem/Malevich Painting (Modernism Isn't Architecture Modernism Is An Anti-architecture), 2017
    Robert Montgomery
    Hammersmith Poem/Malevich Painting (Modernism Isn't Architecture Modernism Is An Anti-architecture), 2017
    Acrylic and oil on canvas
    760 x 760 mm
  • Laurence Owen, Head, 2017
    Laurence Owen
    Head, 2017
    Glazed ceramic
    280 x 280 mm
  • Tristan Pigott, Juicy Bits, 2017
    Tristan Pigott
    Juicy Bits, 2017
    Oil on linen
    1600 x 1200 mm
    Signed and dated verso
  • Jack Greer, Lawn Enforcement, 2017
    Jack Greer
    Lawn Enforcement, 2017
    Pen and oil paint on canvas
    914.5 Ø mm
  • Lindsey Mendick, Lazy Sunday's, 2017
    Lindsey Mendick
    Lazy Sunday's, 2017
    Glazed ceramic
    43 x 30 x 30 cm
    16 7/8 x 11 3/4 x 11 3/4 in
  • Claire Barrow, Liv's Bust, 2017
    Claire Barrow
    Liv's Bust, 2017
    Mixed media
    590 x 460 x 100 mm
  • Lindsey Mendick, Meal Deal Realness, 2017
    Lindsey Mendick
    Meal Deal Realness, 2017
    Glazed ceramic
    43 x 30 x 30 cm
    16 7/8 x 11 3/4 x 11 3/4 in
  • Tristan Pigott, Miracle Grow, 2017
    Tristan Pigott
    Miracle Grow, 2017
    Oil on linen
    1400 x 910 mm
    Signed and dated verso
  • Vanessa Da Silva, Muamba M, 2017
    Vanessa Da Silva
    Muamba M, 2017
    Cement
    420 x 360 x 160 mm
    Edition of 3
  • Emilie Pugh, Nocturne, 2017
    Emilie Pugh
    Nocturne, 2017
    Bleach and white gouache on ink prepared paper
    40 × 30 cm
    Signed and dated verso
  • Emilie Pugh, Nocturne, 2017
    Emilie Pugh
    Nocturne, 2017
    Bleach and white gouache on ink prepared paper
    32 x 32 cm
    Signed and dated verso
  • Adeline de Monseignat, Ojo Fecundo , 2017
    Adeline de Monseignat
    Ojo Fecundo , 2017
    Santo Tomas and Rosa Tepeaca marbles
    Eye 60cm diameter
    Seed 33x33x16cm
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