Phoebe Collings-James on Pre-Code Hollywood and Nina Fowler

Phoebe Collings-James, AnOther Magazine, February 26, 2015

Last week, London’s The Cob Gallery hosted a screening of Merrily We Go To Hell, a Pre-Code classic directed by Dorothy Arzner in 1932. The screening was followed by a discussion panel lead by film historian and theorist Dr Margherita Sprio, where I was invited alongside film producer Hamish McAlpine, activist Katie McCrory and artist Eloise Fornieles to join a conversation in relation to the cinematic renderings of artist Nina Fowler.